with dangerous released in november 1991, michael jacksons career really sustained its high. the album entered the billboard 200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. the riaa certified dangerous 7x platinum for shipping 7 million copies in the united states.
remastered audio on 180 gram audiophile vinyl.

pets recordings is pleased to present friends will carry you home too, the second installment of the celebrated compilation series compiled by label bosses catz n dogz. marking the third anniversary of the label, friends will carry you home too presents two cds loaded with brand new exclusives from the pets recordings established and up-and-coming family of artists.

kalimero is back again. their seventh catalogue number is standing in the wings awaiting you as a three track ep, one original & two remixes. melchior bachmann delivers his second release on kalimero together with his producing mate extd. will, a new berlin-based talent and long-term companion of the labels artists. they created *play*, a deep tech-house revelation that is simply catching everything what each of us is referring as to groovy and pressing it into eight minutes of pure emotional dancefloor energy. this is also caused by dennis degenharts great singing work. the remixes are contributed by mario aureo and luis leon. marios remix is keeping the tech-house grooves and keys and transforms them into a marching and pumping peaktime tune. side b is completely left to luis leon, a very talented producer and dj from peru, who did nothing less than turning *play* into an deep house anthem - a journey that has all the time to evolve itself.

holly and lawyer dave are back with a limited edition live album, originally available on cd as a tour only release until we persuaded them that it needed to be on vinyl too. this album features 10 tracks including holly & the brokeoffs standards like >devil do<, >medicine water< plus a cover of the lee hazlewood classic >dark in my heart.

ear spankers are michael kohlbecker and ben dewald. kohlbecker is a well known significant producer in the scene of mainhattan frankfurt since the 90s. ich will is an high recognizable minimal industrial flavoured bassgroove ass-shaker what will set a peak point in many dj sets this winter. in early 2013 is an huge remix package comin from audiophile heroes like swayzak and robert babicz to name a few

following up his ep >string theory< on simple, julian october smith has teamed up with label head will saul, for >light sleeper<, aus musics final release of 2012. the ep comes with a remix from kompakt boss michael mayer.

limited, hand-stamped, single-sided vinyl-only release. youngtee delivers another stellar house rework - this time of a whitney houston classic.

for the first solo ep on horror boogie, fedka the irritant steps up, after his outstanding track on horror boogie 01. fedka the irritant is probably best known as the trombonist in the excellent band pest (ninja tune), alongside ben pest (panic bridge, victim, bonus round). he is also a seriously original and versatile producer in his own right. he has released on panic bridge, alongside the other pest members and his trombone techno live sets are something to behold. here, he drops four varied tracks, starting with the behemoth >words for friends<. a heavy slice of wonky techno, with a big kick and rasping synth. next up is one uncertain eyebrow. a building, funky, fuzzy acid-laced track that drops harder and harder as it goes on. on side b, calypso-flavoured, jazzed up >stick it< progresses on to a become a warbling bass effort with a smooth hip-hop vocal. last but not least, is >you only die once<, another funk-laden monster, with a killer slap bass line.

every sunday night, you tell yourself again.. next week >everything will change<, you will >slow< down, but then the next weekend comes around and you cant resist and you >get up and dance< again. >everything will change< has a melancholic but satisfied atmosphere. >slow< is a timeless track for any situation, and >get up and dance< has a very unique dynamic of sounds and drums that makes you kind of nervous, so that you can not wait any longer to grace the dance floor

flickk coming up from the deep south with his debut single on ppu records. recorded at capricorn studios, macon georgia in 1983. 7inch with photo insert check! its been almost two years in the making, and after mending the 1/4 master tape, this incredible soul side is now on vinyl

luv005 already and no doubt another classy four tracker that will top a few sales charts in the coming weeks and months. it has been a wonderful summer for the luv shack crew with every release bettering the last. the response and reaction to the new label has been astounding and beyond a pleasant surprise. with intelligent dance music such as this, it really shouldnt be such a surprise, but in a world of mass mediocre music, it does happen more often than not, that the good stuff doesnt always find its way. the guys though have found a place in a lot of hearts and quite a few tasty dj sets and record boxes with four very consistent releases. so, here we go with what is yet another worthy addition to any half decent djs repertoire me thinks. and it is lee stevens who teams up with local friends to deliver a very crafted set of aural niceness for your distinguished pleasure.

very special release!!! no represses when working on something, many other things happen which have an appeal of their own but do not fit together with what you have in mind, or where you are heading. this series of recordings is about the unexpected, things opposed to the plan. it is a slice of life, a snapshot that divides before and after. the more conscious you are of moments like this, the more often you will experience that something special is happening right now, in this second. and then it is gone for ever… unless you buy it on vinyl... already played by karotte (cocoon / great stuff)

supported by: betoko, the climbers, theelement, lopazz,dirtcrew, sicania soul, whim-ee, joao teixeira, garnica, james flavour, the town, luca elle, sammy & alex, rise n fall and more. this very limited 180 vinyl ep from the cool chilli mint music label this time showcasing the very talented and super creative style of lee webster. already with over 140 tunes under his belt,lee delivers a classy 4track ep with a mix of two downtempo excellent funky nu disco tunes that sound like no other and 2 deep house twisted garage infused tunes that will make any dance floor groove.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

foolish felix dickinsons superb cynic label with another hot one! cynics latest release features another killer track from l.h.a.s. inc. (jamie read and felix dickinson). analogue synths and vintage drum machines rock along with an infectious old school style reminiscent of the early sounds coming from chicago and new york in the late 80s early 90s. think clubhouse meets nu groove. on the b side phoreski (felixs fellow resident at londons bad passion) delivers a remix that takes the track to another level, darker haunting synths and a robo vocal asking: do you like the way you feel, will you dance with me?

ready to get weird this summer? matthew dekay and lee burridge certainly are with the launch of their second imprint in 6 months following the success of their first label all day i dream. while adid represents their love of all things emotional and melodic and embraces thier signature sound perfect for their outdoor parties of the same name get weird will see releases geared towards the music they play after dark. a place to showcase more dubby, techy, slinky and sultry rhythms to hypnotize dancefloors when the sun goes down.

after 4 years and 14 digital releases, more or less is proud to present to you their inaugural vinyl release. the record is a fitting tribute to our fans, friends and the people who have helped support our sometimes illogical and irreverent musical endeavors. enjoy these previously unreleased tracks, and as one wise man with the red face once said … full support, will play.

zum 40. jubiläum des legendären philly-labels erscheinen in kooperation mit expansion eine reihe limitierter 7 inch vinyle mit den besten klassikern!

(punks jump up / moullinex rmxs) drop out orchestras >it will never be the same again< was one of the stand-out tracks on aeroplanes >in flight entertainment. this is going to be your summer anthem, take notice!

after the great success of jerk house connections velvet touch release, stalwart is quite proud to present you its 21st release from one influential member of the infamous broken beat uk combo bugzintheattic: orin walters aka afronaut. orin heard the slam poetry of suheir hammad, a speech about the wheel power not to give up into any extreme ideological, political and/or religious undemocratic system. he craftily joined his minimalist deep groove to emphasize it, giving birth to eye will not, a track that is sure to be noticed in any sets. on the remix treatment, bugzintheattic have been working on their classy broken beat treatment, whereas dj rork has been giving it an infectious hypnotic house touch with an heavy bass, while deep house man of the moment djeff kalukuta relift it for the more south african house music dance floors.
another quality and classy release from stalwart sure to take wmc 2012 by storm! already getting early support from phil asher, yass, ian friday, ralf gum, master kev, abicah soul, lars behrenroth ...

vinyl only! milton jackson delivers three tracks of pure underground house heat for tsuba limited. these are expertly crafted house trax for more discerning dancefloors with emphasis on killer grooves and hooky vocals. there will be no repress and these tracks will not appear on any download stores.be quick!

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

limited edition 7inch single from the forthcoming album >saturday night<, the lifes work of cyril walker

nice price deal !!! produced by ras kush , engineered by russ d-black redemption-10 -jah will make a way - cologne + always fari - turbulence

black redemption-10-jah is the father / fred locks +there will come a day / fred locks (mighty massa dub/japan !!

the debut palace brothers album was released in 1993 when much american music was going through a particularly bombastic period. in contrast >there is no one what will take care of you< sounded like a field recording, as though a tape of back porch confessionals recorded by alan lomax as an example of high southern gothic style, had been newly discovered and released.

vincent valler delivers with this release a timeless classic for now and then..

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

hot deal! support by nick curly, reboot, karotte, robert dietz, mathias kaden, soul clap, dj hell, brothers vibe, &me, adam port and many more.. andrew soul continues to shine as one of the most exciting young talents form his native italy. his current switching positions ep on new yorks stranjjur imprint is winning many a plaudit and today he rolls into town with his latest offering on kiara records, too much love will kill you. andrew brings the funk with his deep bassy synth lines and pounding kick. he also continues to impress with his use of vocals, here using a pitched down soulful take. but its the bass that wins the day and takes control. watch the girls move! on the remix kiara welcome dutchman julien chaptal who dips his rework into some fierce nyc flavouring. killer drum pattern and a twist of the vocal bring a whole new face to the original whilst creating a fearsome and equally potent groov

whether on his own or with nick hoppner as my my lee jones has been djing and making music for more than a decade. in 2008 jones released his debut full-length lp “electronic frank” on aus music. his solo releases and remixes have appeared on labels such as aus music, ostgut ton, liebe*detail and cityfox and last year, he did his first ever mix cd for the world famous watergate club. next up from the talented producer is a futuristic 4-tracker on aus, incl 2 remixes from george fitzgerald and midland. for the lead track moment, jones offers up a bass driven house number that hints at his jazz roots whilst pushing forward into garage territory. for the remix, george fitzgerald delivers his most straight up, heads down house production to date. next up is duvel, a characteristically quirky jones production, bouncy and deep all at once but with a bass line that will hold its own at peak time. midland steps up for the remix, twisting it into a moody multi-genre convergence like only he can.

russian cool cat sportloto (aka andrey rublev) is making quite a name for himself in the remix realm. he comes from the western urals and makes some of the most splendid electronic music around.the title track >will i< started out as an instrumental on our sister labels tirk03 sampler.after bags of attention and plaudits we decided to nudge things into vocal-drive and add a nifty vocal.michelle bee ably assists with a smouldering and sultry tones. if chord movements and darting electronic lines and arpeggios are your thing then you will love the original.on the remix tip fabrizio mamarella (1/3 of clap rules and bearfunk big dog) chips in with the remix.he takes the organic analog route and trims things down nicely for the dance floor.to round off the package and give an enticing glimpse into the cool production skills of andrey,weve also included the track metamorphosis.andrey is busy at work on his debut album for nang as we speak!stay tuned.

just a brilliant three - track -vinyl, with maceo plex & mercury remixes... amazing tech house and deep house on the flipside!! decks tipp

nobody does it like gamm does it! the second part in dj will-rocks duo of heavyweight eps, jam packed with dancefloor jams, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco & funk rewires, its all 100 % proof!

nobody does it like gamm does it! the first in a series of two eps from dj will-rock.
its another heavyweight 4 tracker of dancefloor dynamite, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco rewires, its all 100% proof!

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

two very solid terrence parker produced tracks from his various monikers - re-issued by dekmantel. tip!

mehr northern soul-raritõten auf 7 inch vinyl!

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

incl jay haze remix

grammy-nominated dance music beatsmith wolfgang gartner (born joey youngman), supported by felix cartal and harvard bass, is in the midst of a six-week, 33-date tour of north america - a six-dudes-on-a-bus excursion thats taking them to places both urban and remote. meanwhile his second single -forever- off his upcoming album has already hit the masses, and has generated quite a buzz. its a fiery electro tune with an unmistakable wolfgang gartner sound that features will.i.am singing, >baby, lets party all night long/ lets make it last forever.< the black eyed peas also threw in a set of bars. in fact, wg and will.i.am have been sitting on the track for some time now - it was recorded a year and a half ago. gartner said the duos pairing was organic, and its now time for it to be unleashed to the clubs! enjoy the remixes + original on this vinyl compilation

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

re-mastered by the legendary tom moulton from the original master tapes.

clown & sunset = nicolas jaar s own label!! fantastic deep house ... check... its deeeep

mehr northern soul-rarit§ten auf 7 inch vinyl! marvin smiths feinster moment: >who will do your running now<!